Music, Society and Construction of Reality

The article is devoted to the study of the interrelations between music and society based on the analysis of processes involved in constructing social reality. It examines the place of musical culture within the overall culture of society, its functions, historical development from ancient times to the present, and highlights the role of musical education in shaping cultural values and aesthetic preferences within the social context. The evolution of musical trends is considered as a dynamic process determined by the interaction of technological, social, and cultural factors. The mechanisms of formation and dissemination of musical trends are analyzed, including the influence of technological innovations, socio-cultural institutions, the music industry, and communication channels. The role of musical media and digital platforms in contemporary processes of music content distribution is also explored. Special attention is given to the cognitive impact of music at individual, collective, and social levels. Psychological tools of music’s influence on consciousness are analyzed, as well as its functions as a mechanism of cognitive structuring that contributes to the formation of group identity and emotional self-regulation of the individual. The role of music as a mechanism of cognitive structuring of consciousness, facilitating group identity formation and emotional self-regulation, is further revealed. The article also discusses the influence of music on social behavior and processes of social adaptation. In conclusion, the thesis is put forward on the significance of musical culture as an integral part of human life that promotes personal development and reinforces social bonds and cultural identity. Prospective directions for further research in the field of musical culture and its influence on the spiritual state of society are outlined, including the study of the effects of digitalization and globalization on musical culture and its role in maintaining the spiritual well-being of society. The work holds practical value for researchers interested in the instruments of social reality construction, as well as for the study of sociocultural changes in society. The article may serve as a basis for further research in the field of social and political philosophy, deepening the understanding of the mechanisms of interaction between culture and power, as well as the role of musical practices in the formation of collective identity, models of social control, and processes of social consolidation amid contemporary transformations.

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