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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">humanities</journal-id><journal-title-group><journal-title xml:lang="ru">Гуманитарные науки. Вестник Финансового университета</journal-title><trans-title-group xml:lang="en"><trans-title>Humanities and Social Sciences. Bulletin of the Financial University</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2226-7867</issn><issn pub-type="epub">2619-1482</issn><publisher><publisher-name>Financial University under The Government of Russian Federation</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26794/2226-7867-2021-11-6-134-138</article-id><article-id custom-type="elpub" pub-id-type="custom">humanities-592</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИЧЕСКИЙ ЭКСКУРС</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>HISTORICAL EXCURSUS</subject></subj-group></article-categories><title-group><article-title>Скрытые 1950-е: нарратив префигуративной культуры</article-title><trans-title-group xml:lang="en"><trans-title>The Hidden 1950s: Narrative of Prefigurative Culture</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-5041-0671</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Трошин</surname><given-names>А. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Troshin</surname><given-names>A. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p> кандидат философских наук, старший преподаватель Департамента массовых коммуникаций и медиабизнеса</p><p> Москва </p></bio><bio xml:lang="en"><p>Candidate of Philosophy, Senior Lecturer, Department of Mass Communications and Media Business</p><p>Moscow </p></bio><email xlink:type="simple">AATroshin@fa.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Финансовый университет<country>Россия</country></aff><aff xml:lang="en">Financial University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>30</day><month>01</month><year>2022</year></pub-date><volume>11</volume><issue>6</issue><fpage>134</fpage><lpage>138</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Трошин А.А., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Трошин А.А.</copyright-holder><copyright-holder xml:lang="en">Troshin A.A.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://humanities.fa.ru/jour/article/view/592">https://humanities.fa.ru/jour/article/view/592</self-uri><abstract><p>В истории СССР 1950-е гг. являются периодом, редко осмысляемым историками как единое целое. Они, скорее, трактуются как время перехода от культуры высокого сталинизма к эпохе оттепели. Между тем, в это время был заложен экономический и военно-технический базис советского наследия, что стало основой российской экономики. Социокультурным фактором, определившим специфику времени, является то, что Маргарет Мид определила как префигуративную культуру — состояние общества, когда взрослые учатся у своих детей, которые наделяются новыми правами. Это нашло свое выражение в художественной литературе и искусстве 1950-х гг.</p></abstract><trans-abstract xml:lang="en"><p>In the history of the USSR, the 1950s are a period rarely comprehended by historians as a whole. Instead, they are interpreted as a time of transition from the high Stalinism culture to the thaw era. Meanwhile, at this time, the economic and military-technical basis of the Soviet legacy was laid, which became the basis of the Russian economy. The sociocultural factor that determined the specifics of the time is what Margaret Mead defined as a prefigurative culture — a state of society in which adults learn from their children, who are endowed with new rights. It found its expression in the fiction and art of the 1950s.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>история СССР</kwd><kwd>1950-е годы</kwd><kwd>культурология</kwd><kwd>префигуративная культура</kwd><kwd>нарратив</kwd><kwd>советская художественная литература</kwd></kwd-group><kwd-group xml:lang="en"><kwd>history of the USSR</kwd><kwd>1950s</kwd><kwd>cultural studies</kwd><kwd>prefigurative culture</kwd><kwd>narrative</kwd><kwd>Soviet fiction</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лебский М.А. Рабочий класс СССР: жизнь в условиях промышленного патернализма. 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